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Across Anthropology"An extraordinarily rich and provocative collection of essays on the transformation of museums and exhibitions devoted to non-Western arts and cultures. Punctuated by interviews with path-breaking curators, the volume keeps us focused on contemporary practice—its real possibilities and constraints. The editors’ guiding concept of “trans-anthroplogy” avoids both defensive celebration and rigid critique. It opens our eyes and ears to the relational transactions, alliances, and difficult dialogues that are animating former anthropology museums today." James Clifford
Leuven University Press, May 2020 300 pages, open-access pdf 20.000+ downloads link |
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The palace of doubt.New article out in Italian monthly art history magazine ART E DOSSIER (no. 390, September 2021 pp. 38-43) on the Humboldt Forum and its failures, provocations, and futures. With a focus on art and curatorial reactions.
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Der fremde blick»Das Theater an der Ruhr war wie eine Explosion für mich. Vieles von dem, was ich heute als meins ausgebe, kommt daher.« Navid Kermani
Roberto Ciulli (*1. April 1934 in Mailand) ist ein Ausnahmekünstler, der in 40 Jahren unermüdlichen Wirkens mit dem Mülheimer »Theater an der Ruhr« ein einmaliges Theatermodell geschaffen hat. Mit diesem Buch erscheint jetzt eine 1300 Seiten starke Dokumentation in zwei Bänden, die diesem pionierhaften Projekt ein Denkmal in Buchform setzt. Sie versteht sich als Biographie, Nachschlagewerk, Lesebuch, für die Ciulli erstmals sein privates Archiv geöffnet hat. 1296 Seiten, über 400 Abbildungen. Fadenheftung. Hardcover. 2 Bände. Hrsg. Alexander Wewerka / Jonas Tinius Rezensionen: WDR3, WDR5, nachtkritik.de, Die Deutsche Bühne, Theater heute, WDR 3 Fernsehen LESEPROBE / Bestellung / TRAILER |
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HKW x ERC Residencies“Is there anything that relates us to others so that we can say that WE are?” (Achille Mbembe, Necropolitics).
In a residency program developed by the Minor Universality ERC research project and realized together with HKW and its New Alphabet School, six artists will develop idiosyncratic perspectives on how to narrate, sketch and produce experiences of universality after the critique of Western universalism. www.hkw.de/minoruniversality |
Tracing fractures symposiumcurated with Alya Sebti &
Nikola Hartl for Marseille Manifesta 13, Sept 2020 |
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Museums as Crime Scenes IIA conversation with curator Natasha Ginwala, artist Folakunle Oshun, and sociologist Maria Berrios, moderated by Jonas Tinius
20 November 2020, broadcast on air via cashmere radio Lichtenberg in Berlin as part of the Goethe sponsored series Latitude on Air LINK TO THE RADIO BROADCAST |
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(c) Judith Schulde, Goethe Institut
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Museums as Crime Scenes IA conversation with media scholar Ariella Aïsha Azoulay and curator Bonaventure Soh Bejeng Ndikung, moderated by Jonas Tinius
5 June 2020, broadcast on air via reboot.fm radio station in Berlin from ACUD MACHT NEU as part of the Goethe Festival Latitude on Air: Unsettling Power Relations LINK TO THE RADIO BROADCAST |